Decorative 'bread-platters' were hugely popular in Victorian times,
firstly among the elite who commissioned custom-made items featuring
their coats-of-arms and mottos. They were also used to commemorate royal
ceremonies, and of course, families put their crests on them if they
were upper class. By the 1860s, enterprising workshops were producing
bread-platters more cheaply with standardised carving for the mass
market. The production centre until the 1950s was Sheffield, with
skilled turners, carvers and metalworkers collaborating to produce
matching sets of tableware. In the book, Madeleine Neave shows us how
beautiful and varied the boards were, with the inclusion of butter
knives, butter churners, and memories from her mother, Rosslyn, who
began the collection after a childhood on a farm, milking cows by hand,
and making butter.