This collection of essays, written by the poster boy of 1960s
counterculture, describes the psychological journey Timothy Leary made
in the years following his dismissal from Harvard, as his psychedelic
research moved from the scientific to the religious arena. He discusses
the nature of religious experience and eight crafts of God, including
God as hedonic artist. Leary also examines the Tibetan, Buddhist, and
Taoist experiences. In the final chapters, he explores man as god and
LSD as sacrament.