In the 21st century, films about the lives and experiences of girls and
young women have become increasingly visible. Yet, British cinema's
engagement with contemporary girlhood has - unlike its Hollywood
counterpart - been largely ignored until now. Sarah Hill's Young Women,
Girls and Postfeminism in Contemporary British Film provides the first
book-length study of how young femininity has been constructed, both in
films like the St. Trinians franchise and by critically acclaimed
directors like Andrea Arnold, Carol Morley and Lone Scherfig. Hill
offers new ways to understand how postfeminism informs British cinema
and how it is adapted to fit its specific geographical context. By
interrogating UK cinema through this lens, Hill paints a diverse and
distinctive portrait of modern femininity and consolidates the important
academic links between film, feminist media and girlhood studies.