Romeo and Juliet always use 'thou' to each other, but they are the only
pair of lovers in Shakespeare to do this. Why? All the women in Richard
III address Richard as 'thou', but no man ever does. Why? When
characters address the dead, they use 'thou' - except for Hamlet, who
addresses Yorick as 'you'. Why? Shakespeare's contemporaries would have
known the answers to these questions because they understood what 'thou'
signified, but modern actors and audiences are in the dark. Through
performance-oriented analysis of extracts from the plays, this book
explores the language of 'trulls' and termagants, true loves and
unwelcome wooers, male impersonators, smothering mothers, warring
spouses and fighting men, as well as investigating lèse-majesté,
Freudian slips, crisis moments and rhetorical flourishes. Drawing on
work with RSC actors, as well as the author's experience of playing a
range of Shakespearean roles, the book equips the reader with a new tool
for tracking emotions, weighing power relations and appreciating
dazzling complexity.