Martin Greve: Introduction Bulent Aksoy: Preliminary Notes on the
Possibility (or Impossibility) of Writing Ottoman Musical History Ralf
Martin Jager: Concepts of Western and Ottoman Music History Ruhi
Ayangil: Thoughts and Suggestions on Writing Turkish Music History Ersu
Pekin: Neither Dates nor Sources: A Meth-odological Problem in Writing
the History of Ottoman Music Nilgun Dogrusoz: From Anatolian Edvar
(Musical Theory Book) Writers to Abdulbaki Nasir Dede: An Evaluation of
the History of Ottoman/Turkish Music Theory Walter Feldman: The Musical
"Renaissance" of Late Seventeenth Century Ottoman Turkey: Reflections on
the Musical Materials of Ali Ufki Bey (ca. 1610-1675), Hafiz Post (d.
1694) and the "Maraghi" Repertoire Kyriakos Kalaitzidis: Post-Byzantine
Musical Manuscripts as Sources for Oriental Secular Music: The Case of
Petros Peloponnesios (1740-1778) and the Music of the Otto-man Court
Gonul Pacaci: Changes in the Field of Turk-ish Music during the Late
Ottoman/Early Republican Era Arzu Ozturkmen: The Quest for "National
Music": A Historical-Ethnographic Survey of New Approaches to Folk Music
Research Okan Murat Ozturk: An Effective Means for Representing the
Unity of Opposites: The Devel-opment of Ideology Concerning Folk Music
in Turkey in the Context of Nationalism and Ethnic Identity Suley-man
Senel: Ottoman Turku Fikret Karakaya: Do Early Notation Collections
Represent the Music of their Times? Sehvar Besiroglu: Demetrius Cantemir
and the Music of his Time: The Concept of Authenticity and Types of
Performance Andreas Haug: Reconstructing Western "Monophonic" Music
Recep Uslu: Is an Echo of Seljuk Music Audible? A Methodological
Research
