Although practices of editing and mentoring are part of an author's
daily activities, they have previously been largely neglected by
literary studies. The bilingual volume therefore assembles players from
the fields of literary production and theories of authorship and the
writing process, who discuss the development toward an opening up of the
creative writing process. Their contributions encompass not only reports
of experiences made by authors, editors, and mentors and insights into
teaching methods applied in creative writing classes at higher-education
institutions in Europe and the U.S. They also explore theoretical
approaches to an intersubjective literary practice as well as
suggestions for the definition of a dialogic notion of literature in the
age of online publishing.