The Swiss artist Alberto Giacometti participated in Parisian literary
and cultural circles from the early meetings of the Surrealists to
existentialism and the diverse currents in art and poetry that followed.
Numerous writers were inspired to respond to his sculpture, drawing,
painting and publications during his lifetime and after his death in
1966. This book considers examples of poésie critique devoted to
Giacometti's work by major French poets and thinkers from André Breton
to Yves Bonnefoy. Through close readings of key texts, it discusses the
extent to which each writer has succeeded in overcoming the dichotomy
between a text and its visual stimulus that so often leads to a
hierarchical relationship. Many of these writers focus on the
materiality of Giacometti's works of art and of the written word.
Examination of their writings thus allows new understandings of poésie
critique and ekphrasis to be developed.