A critical mapping of the multiplicities of Finnish artist and
technology pioneer Erkki Kurenniemi--composer of electronic music,
experimental filmmaker, inventor, collector, futurologist.
Over the past forty years, Finnish artist and technology pioneer Erkki
Kurenniemi (b. 1941) has been a composer of electronic music,
experimental filmmaker, computer animator, roboticist, inventor, and
futurologist. Kurenniemi is a hybrid--a scientist-humanist-artist.
Relatively unknown outside Nordic countries until his 2012 Documenta 13
exhibition, "In 2048," Kurenniemi may at last be achieving international
recognition. This book offers an excavation, a critical mapping, and an
elaboration of Kurenniemi's multiplicities.
The contributors describe Kurenniemi's enthusiastic, and rather
obsessive, recording of everyday life and how this archiving was part of
his process; his exploratory artistic practice, with productive failure
an inherent part of his method; his relationship to scientific and
technological developments in media culture; and his work in electronic
and digital music, including his development of automated composition
systems and his "video-organ," DIMI-O. A "Visual Archive," a section of
interviews with the artist, and a selection of his original writings
(translated and published for the first time) further document
Kurenniemi's achievements. But the book is not just about one artist in
his time; it is about emerging media arts, interfaces, and archival
fever in creative practices, read through the lens of Kurenniemi.