Charles Willeford was a man of letters in all senses of the word. Poet,
essayist, short story writer, novelist, and raconteur, his early
paperback novels with their existential/immobilized heroes were the
creations (to paraphrase Chandler) of a man not himself immobilized - a
man who, instead, with his trademark black-humored prose, doggedly
examined the mind-thrumming banalities of our materially sated but
intellectually befuddled postwar world, crafting a body of work that is
only now, 50-some years after his first appearance in print, beginning
to be widely appreciated as a series of guidebooks on how to live in an
absurd universe.
Writing & Other Blood Sports contains autobiographical essays,
profiles of and opinions about fellow writers ("The Big White Smile"
[1964] is the first critical article written on John D. MacDonald; in
"Chester Himes and His Novels of Absurdity" he pays tribute to an
immobilized and self-exiled writer's dissections of humanity's foibles;
while "Jim Tully: Holistic Barbarian" makes the case for taking another
look at the founder of the hard-boiled school - now forgotten because he
didn't write genre fiction), and commentaries on Willeford himself by
both critics and friends. The collection culminates with the book-length
study New Forms of Ugly: The Immobilized Hero in Modern Fiction,
wherein Willeford follows the development of this "new hero" from
Dostoyevsky's Mole Man to Saul Bellow's Moses Herzog.
Charles Willeford observed people and events without sentimentality but
was always empathetic. He thought deeply about what we're all doing (and
not doing) here, and his insights and opinions are worth all our whiles
to ponder.
