In World Enough, Maureen N. McLane maps a universe of feeling and
thought via skyscapes, city strolls, lunar vistas, and passages through
environments given and built. These poems explore how we come to know
ourselves--sensually, intellectually, politically, biologically,
historically, and anthropologically. Moving from the most delicate
address to the broadest salutation, World Enough takes us from New
England to New York to France to the moon. McLane fuses song and
critique, giving us poetry as "musical thought," in Carlyle's phrase.
Shuttling between idyll and disaster, between old forms and open
experiments, these are restless, probing, exacting poems that aim to
take the measure of--and to give a measure for--where we are. McLane
moves through many forms and creates her own, invoking the French
Revolution alongside convolutions of the heart and revolutions of the
moon. Shifting effortlessly between the species and the self, between
the sentient surround and the peculiar pulse within, World Enough
attests to experience both singular and shared: "not that I was alive /
but that we were."