This book examines the relation of words and music in England and France
during the three centuries following the Norman Conquest. The basic
material of the study includes the chansons of the troubadours and
trouvères and the varied Latin songs of the period. In addition to these
'lyric' forms, the author discusses the relations of music and poetry in
dance-song, in narrative and in the ecclesiastical drama. Professor
Stevens examines the ready-made, often unconscious, and misleading
assumptions we bring to the study and performance of early music. In
particular he affirms the importance of Number, in more than one sense,
as a clue to the 'aesthetic' of the greater part of repertoire, to the
relation of words and melody. and to the baffling problem of their
rhythmic interpretation. This is the first wide-ranging study of words
and music in this period in any language. It will be essential reading
for scholars of the music and the literature of medieval Europe and will
provide a basic and comprehensive introduction to the repertoire for
students.