Wood Gaylor was a prime mover in the modern art world of New York City
and Ogunquit, Maine, from the teens to the thirties, but has not
received the attention either his role or his work merits. Wood Gaylor
and American Modernism, 1913-1936, accompanying a traveling exhibition
organized by the Fleming Museum of Art at the University of Vermont, is
the first book-length work focused on this artist's contributions to
American modernism in the early twentieth century. Gaylor's paintings,
teeming with color and action, depict the spirited gatherings of modern
artists and arts promoters. As Gaylor's images document important events
in the art world of the 1910s, '20s, and '30s, so too does his technique
provide insight into the factors impacting the evolution of a distinctly
American modern style. With contributions by Fleming museum curator
Andrea P. Rosen, independent art historian Dr. Christine Isabelle
Oaklander, and an interview with the artist's son Wynn Gaylor, this
ground-breaking catalogue paints a vivid picture of the heady and
vibrant post-Armory Show American art world.