Women Writing the Nation engages in recent discussions of the
development of British nationalism during the eighteenth century and
Romantic period. Leanne Maunu argues that women writers looked not to
their national identity, but rather to their gender identity to make
claims about the role of women within the British nation. Women writers
wanted to make it seem as if they were writing as members of a fairly
stable community, even if such a community was composed of many
different women with many different beliefs. They appropriated the model
of collectivity posed by the nation, mimicking a national imagined
community. In essence, because British-French relations dominated the
national imagination, women had to think about their own gender concerns
in national terms as well.