Pedro Almodóvar's 1988 black comedy-melodrama Women on the Verge of a
Nervous Breakdown established its director as one of the most exciting
of European film-making talents. An often hilarious study of sexual
mores, Women on the Verge has a central character, Pepa (Carmen
Maura), as warm and richly drawn as any modern film heroine. Made strong
and self-reliant by suffering in a troubled relationship, Pepa is the
centre of a network of lovers, friends and family who represent a vivid
cross-section of Spanish society.
Peter William Evans provides a formidable analysis of Almodóvar's
insights into gender, sexuality and identity. Evans sees Women on the
Verge as concerned with the often tyrannical spell of sexual desire and
the anxieties of relationships and families, but also with the
possibilities for personal liberation. He discusses the film in the
context of the history of Spain and the social revolution that occurred
after the death of Franco.
In his foreword to this new edition, Evans reflects upon Women on the
Verge in the light of Almodóvar's subsequent films, and the impact of
Carmen Maura's performance as Pepa on the representation of women in
Spanish cinema.