This book investigates how popular American literature and film
transformed the poisonous woman from a misogynist figure used to exclude
women and minorities from political power into a feminist hero used to
justify the expansion of their public roles. Sara Crosby locates the
origins of this metamorphosis in Uncle Tom's Cabin where Harriet
Beecher Stowe applied an alternative medical discourse to revise the
poisonous Cassy into a doctor. The newly "medicalized" poisoner then
served as a focal point for two competing narratives that envisioned the
American nation as a multi-racial, egalitarian democracy or as a white
and male supremacist ethno-state. Crosby tracks this battle from the
heroic healers created by Stowe, Mary Webb, Oscar Micheaux, and Louisia
May Alcott to the even more monstrous poisoners or "vampires" imagined
by E. D. E. N. Southworth, Oliver Wendell Holmes, Theda Bara, Thomas
Dixon, Jr., and D. W. Griffith.