Set against the religious struggles of seventeenth-century Scotland,
with Montrose for the king against a convenanted kirk, John Buchan's
Witch Wood is a gripping atmospheric tale in the spirit of Stevenson
and Neil Munro.
As a moderate Presbyterian minister, young David Sempill disputes with
the extremists of his faith. All around, the defeated remnants of
Montrose's men are being harried and slaughtered by the faithful, and
Sempill's plea for compassion, like his love for the beautiful Katrine
Yester, is out of joint with the times.
There are still older conflicts to be faced however, symbolised by the
presence of the Melanudrigill Wood, a last remnant of the ancient
Caledonian forest. Here there is black magic to be uncovered, but also
the more positive pre-Christian intimations of nature worship.
In such setting, and faced with the onset of the plague, David Sempill's
struggle and eventual disappearance take on a strange and timeless
aspect in what was John Buchan's own favourite among his many novels.