This book provides the only first full account of the life and work of
Winifred Knights (1899-1947), the first woman to win the Prix de Rome
(1920) and one of the outstanding, but until recently neglected, British
women painters of the first half of the 20th century. It examines
Knights' art in the context of interwar Modernism, assessing her
contribution to the revival in this period of both Decorative Painting
and religious imagery.