A guide through the many aspects of Wenders's groundbreaking film,
employing archival research to bring out new insights into its making
and its meanings.
Filmed in 1986/87 in still-divided Berlin, Wim Wenders's Wings of Desire
is both a utopian fairy tale and a fascinating time capsule of that late
Cold War moment. Together with legendary French cinematographer Henri
Alekan(who had worked on Jean Cocteau's La Belle et la Bête of 1946,
among many other films) and Austrian author Peter Handke (with whom he
had collaborated before), Wenders created a multilayered filmic poem of
dazzling complexity: the skies over Berlin are populated with angels
bearing witness to its inhabitants' everyday concerns. One falls in love
with a beautiful young woman, a trapeze artist in a traveling circus,
and decides to forfeit his immortality. Wenders's groundbreaking film
has been hailed as a paean to love, a rumination on the continued
presence in Berlin of the troubled German history, as well as an homage
to the life-affirming power of the cinematic imagination.Christian
Rogowski guides the reader through the film's many aspects, using
archival research to bring out new insights into its making and its
meanings.
Christian Rogowski is G. Armour Craig Professor in Language
andLiterature in the Department of German at Amherst College.