This volume presents a galaxy of traditional and modern critical
approaches to Joseph Conrad's oeuvre, ranging from biographical and
autobiographical studies to literary comparisons with John Milton,
Herman Melville, James Joyce, Fyodor Dostoevsky, and Cormac McCarthy;
from postcolonial and Marxist analyses to reader-response, intertextual,
and archetypal criticism. Some pieces incorporate the
theoretical-philosophical insights of Josiah Royce, Sigmund Freud, and
Jacques Lacan; others consult Jacques Derrida, Homi Bhabha, and Slavoj
Žižek.
Apart from Conrad's life and its reflection in his writings, these
essays illuminate such thematics as the critique of reality;
nationalism; imperial evil; racism; landscape and truth; impressionism;
psychological archetypes; doubling and defamiliarization; alienation and
selfhood; the uncanny; imaginary identification and the real; ideology
as specter; unconditional hospitality; the theory of whirling and
veering; and academic teachings of Conrad, both their past character and
future possibilities.