Amid all that has been published about William Faulkner, one
subject--the nature of his thought--remains largely unexplored. But, as
Daniel Singal's new intellectual biography reveals, we can learn much
about Faulkner's art by relating it to the cultural and intellectual
discourse of his era, and much about that era by coming to terms with
his art. Through detailed analyses of individual texts, from the
earliest poetry through Go Down, Moses, Singal traces Faulkner's
attempt to liberate himself from the repressive Victorian culture in
which he was raised by embracing the Modernist culture of the artistic
avant-garde. To accommodate the conflicting demands of these two
cultures, Singal shows, Faulkner created a complex and fluid structure
of selfhood based on a set of dual identities--one, that of a Modernist
author writing on the most daring and subversive issues of his day, and
the other, that of a southern country gentleman loyal to the
conservative mores of his community. Indeed, it is in the clash between
these two selves, Singal argues, that one finds the key to making sense
of Faulkner.