The 1904 St. Louis World's Fair was a major event in
early-twentieth-century America. Attracting millions of tourists, it
exemplified the Victorian predilection for public spectacle. The Fair
has long served as a touchstone for historians interested in American
culture prior to World War I and has endured in the memories of
generations of St. Louis residents and visitors. In Whose Fair? James
Gilbert asks: what can we learn about the lived experience of fairgoers
when we compare historical accounts, individual and collective memories,
and artifacts from the event?
Exploring these differing, at times competing, versions of history and
memory prompts Gilbert to dig through a rich trove of archival material.
He examines the papers of David Francis, the Fair's president and
subsequent chief archivist; guidebooks and other official publications;
the 1944 film Meet Me in St. Louis; diaries, oral histories, and other
personal accounts; and a collection of striking photographs. From this
dazzling array of sources, Gilbert paints a lively picture of how
fairgoers spent their time, while also probing the ways history and
memory can complement each other.