In Whiteout: How Canada Cancels Blackness, his new and essential
collection of essays, George Elliott Clarke exposes the various ways in
which the Canadian imagination demonizes, excludes, and oppresses
Blackness. Clarke's range is extraordinary: he canvasses
African-Canadian writers who have tracked Black invisibility, highlights
the racist bias of our true crime writing, reveals the whitewashing of
African-Canadian perspectives in universities, and excoriates the
political failure to reckon with the tragedy of Africville, the
once-thriving, "Africadian" community whose last home was razed in 1970.
For Clarke, Canada's relentless celebration of itself as a site of
"multicultural humanitarianism" has blinded White leaders and citizens
to the country's many crimes, at home and abroad, thus blacking out the
historical record. These essays yield an alternate history of Canada, a
corrective revision that Clarke describes as "inking words on snow,
evanescent and ephemeral."