The English-speaking whites of South Africa participate in the larger
culture of the English-speaking world while rejecting its unspoken
consensual positions on many basic issues. This study analyses texts of
different kinds produced by the group to examine the way these deviant
English-speakers see themselves, and particularly how this self-image is
influenced by the presence of the blacks who constitute a crucial part
of their perceptual field. Economically powerful but politically
marginal for many years, the English-speaking whites have always been
mediators of their community's experience to the world culture of the
English language; the study shows how the act of mediation operates in
more than one direction, producing a literary tradition that is
essentially - and perhaps surprisingly - dissident.