A blending of art and pop cultural criticism about people who injure
themselves for our entertainment or enlightenment.
A few weeks before he died, Hunter S. Thompson left an answerphone
message for Jackass' Johnny Knoxville: "I might be coming to
Baton Rouge... and if I do I will call you, because I will be looking to
have some fun, which as you know usually means violence." Fun does not,
of course, mean violence for most people. Those who choose to make a
hobby, a career or an art practice out of injury are wired differently
-- subject to unusual motivations, and quite often powered by an ardent
death-drive.
In Which as You Know Means Violence, writer and art critic Philippa
Snow analyses the subject of pain, injury and sadomasochism in
performance, from the more rarefied context of contemporary art to the
more lowbrow realm of pranksters, stuntmen and stuntwomen, and
uncategorisable, danger-loving YouTube freaks.
In a world where violence -- of the market, of climate change, of
capitalism -- is part of our everyday lives, Which as You Know Means
Violence focuses on those who enact violence on themselves, for art or
entertainment, and analyses the role that violence plays in twenty-first
century culture.