This book examines the American Sixties, and how that period's
socio-political essence was reflected and refracted in certain forms of
the period's music. Its five main chapters bear the names of familiar
musical categories: 'Folk, ' 'Rock, ' 'Jazz, ' 'Avant-Garde, '
'Classical.' But the book's real subject matter-treated at length in the
Prologue and the Epilogue but spread throughout all that comes
between-is the Sixties' tangled mess of hopes and frustrations, of
hungers as much for self-identity as for self-indulgence, of crises of
conscience that bothered Americans of almost all ages and regardless of
political persuasion.