From The Pastoral Players' 1884 performance of As You Like It to
contemporary site-specific productions activist interventions, there is
a rich history of open air performances of Shakespeare's plays beyond
their early modern origins. Weathering Shakespearereveals how new
insights from the environmental humanities can transform our
understanding of this popular performance practice. Drawing on audience
accounts of outdoor productions of those plays most commonly chosen for
open air performance - including A Midsummer Night's Dreamand The
Tempest- the book examines how performers and audiences alike have
reacted to unpredictable natural environments.