Thomas Bernhard is "one of the masters of contemporary European fiction"
(George Steiner); "one of the century's most gifted writers"
(Newsday); "a virtuoso of rancor and rage" (Bookforum). And although
he is favorably compared with Franz Kafka, Samuel Beckett, and Robert
Musil, it is only in recent years that he has gained a devoted cult
following in America.
A powerful, compact novella, Walking provides a perfect introduction
to the absurd, dark, and uncommonly comic world of Bernhard, showing a
preoccupation with themes--illness and madness, isolation, tragic
friendships--that would obsess Bernhard throughout his career. Walking
records the conversations of the unnamed narrator and his friend Oehler
while they walk, discussing anything that comes to mind but always
circling back to their mutual friend Karrer, who has gone irrevocably
mad. Perhaps the most overtly philosophical work in Bernhard's highly
philosophical oeuvre, Walking provides a penetrating meditation on the
impossibility of truly thinking.