While no one would dispute Wagner's ranking among the most significant
composers in the history of Western music, his works have been more
fiercely attacked than those of any other composer. Alleged to be an
unscrupulous womanizer and megalomaniac, undeniably a racist, Wagner's
personal qualities and attitudes have often provoked, and continue to
provoke, intense hostility that has translated into a mistrust and
abhorrence of his music.
In this emphatic, lucid book, Michael Tanner discusses why people feel
so passionately about Wagner, for or against, in a way that they do not
about other artists who had personal traits no less lamentable than
those he is thought to have possessed. Tanner lays out the various
arguments made by Wagner's detractors and admirers, and challenges most
of them. The author's fascination for the relationships among music,
text, and plot generates an illuminating discussion of the operas, in
which he persuades us to see many of Wagner's best-known works
anew--The Ring Cycle, Tristan und Isolde, Parsifal. He refrains from
lengthy and detailed musical examination, giving instead passionate and
unconventional analyses that are accessible to all lovers of music, be
they listeners or performers.
In this fiery reassessment of one of the greatest composers in the
history of opera, Tanner presents one of the most intelligent and
controversial portraits of Wagner to emerge for many years.
