This is the first book to be devoted to Mozart's opera, La clemenza di
Tito. Rice considers the opera from a variety of historical and critical
viewpoints. Tito is a political opera. The author examines its origins
in the politically unstable Habsburg Empire of 1791, interpreting it as
a response to revolutionary threats both inside and outside the empire.
Tito is also a literary opera: much of its dramatic power lies in its
libretto. Rice analyses Metastasio's libretto and the revised version
that Mozart set. The volume explores aspects of Mozart's compositional
process, the premiere in Prague, and subsequent critical reception
through the nineteenth and twentieth centuries. In a concluding chapter,
Rice reviews recent performances as well as scholarly research that
sheds light on the interpretation of the opera. The volume, which
contains illustrations of recent productions, a discography, and a
bibliography, will be of interest to students, scholars and opera-goers.