Woody Guthrie's songs about the Dust Bowl Migration and the Great
Depression give expression to one of the bleakest periods in the history
of the United States, bearing witness both to the economic and political
turmoil and to the human erosion of the 1930s. Following a New
Historicist approach, this study, incorporating a variety of previously
unpublished materials, sets out to reconstruct the social and cultural
potential of Guthrie's songs by exploring their manifold and intricate
relationships with the cultural environment in which they were composed
and performed. As a result, Guthrie's songs are shown to be deeply
ingrained in the decade's culture: they criticize the deplorable social
and political situation at the time, make sense of the incomprehensible
and hint at those responsible for the disaster, thus amplifying the
unheard voices of the down and out. By revealing that Guthrie's oeuvre
was not only culturally produced, but also culturally productive in that
it took an active part in shaping, perpetuating or undermining elements
and patterns of the decade's cultural knowledge, the study also sheds
new light on the social and cultural significance of the sung word.