The author undertakes the task of examining a large body of literature
produced in Hong Kong to show it as an integral part of the universal
human heritage. This thematic study of contemporary Hong Kong anglophone
literature identifies a series of themes and motifs that can be drawn
upon both as figures for an authentically Hong Kong criticism and as
lenses through which to read, contextualize, and interpret the texts
that constitute this canon of fiction, autobiography, drama, and poetry.
Focusing on three central texts - Patrick Acheson's intricately-wrought
and provocative Flagrant Harbour, Lee Ding Fai's rags-to-riches story
Running Dog, and Timothy Mo's The Monkey King - Hooper offers a
theoretical structure for analyzing the postcolonial phenomena in the
Hong Kong context. This book includes an exhaustive bibliography of Hong
Kong literature.