Vivre Ici invites the reader on a journey through the vast viewing
landscape of contemporary French documentary film, a genre that has
experienced a renaissance in the past twenty years. The films explored
are connected not just by a general interest in engaging the "real," but
by a particular attention to French space and place. From farms and wild
places to roads, schools, and urban edgelands, these films explore the
spaces of the everyday and the human and non-human experiences that
unfold within them.
Through a critical approach that integrates phenomenology, film theory,
eco-criticism and cultural history, Levine investigates the notion of
documentary as experience. She asks how and why, in the contemporary
media landscape, these films seek to avoid argumentation and instead,
give the viewer a feeling of "being there." As a diverse collection of
filmmakers, both well-known and lesser-known, explore the limits and
possibilities of these places, a collage-like, incomplete, and
fragmented vision of France as seen and felt through documentary cameras
comes into view. Venturing beyond film analysis to examine the
production climate for these films and their circulation in contemporary
France, Levine explores the social and political consequences of these
"films that matter" for the viewers who come into contact with them.