The content of this monograph stems from the writer's early involvement
with the design of a series of television camera tubes: the orthicon,
the image orthicon and the vidicon. These tubes and their variations,
have, at different times been the "eyes" of the television system almost
from its inception in 1939. It was natural, during the course of this
work, to have a parallel interest in the human visual system as well as
in the silver halide photographic process. The problem facing the
television system was the same as that facing the human visual and the
photographic systems, namely, to abstract the maximum amount of
information out of a limited quantity oflight. The human eye and
photographic film both repre- sented advanced states of development and
both surpassed, in their performance, the early efforts on television
camera tubes. It was particularly true and "plain to see" that each
improvement and refinement of the television camera only served to
accentuate the remarkable design of the human eye. A succession of
radical advances in camera-tube sensitivity found the eye still
operating at levels of illumination too low for the television camera
tube. It is only recently that the television camera tube has finally
matched and even somewhat exceeded the performance of the human eye at
low light levels. It was also clear throughout the work on television
camera tubes that the final goal of any visual system-biological,
chemical, or electronic-was the ability to detect or count individual
photons.