Vineland is hardly anyone's favorite Thomas Pynchon novel. Marking
Pynchon's return after vanishing for nearly two decades following his
epic Gravity's Rainbow, it was initially regarded as slight, a
middling curiosity. However, for Peter Coviello, the oft-overlooked
Vineland opens up new ways of thinking about Pynchon's writing and
about how we read and how we live in the rough currents of history.
Beginning with his early besotted encounters with Vineland, Coviello
reads Pynchon's offbeat novel of sixties insurgents stranded in the
Reaganite summer of 1984 as a delirious stoner comedy that is
simultaneously a work of heartsick fury and political grief: a portrait
of the hard afterlives of failed revolution in a period of stifling
reaction. Offering a roving meditation on the uses of criticism and the
practice of friendship, the fashioning of publics and counterpublics,
the sentence and the police, Coviello argues that Vineland is among
the most abundant and far-sighted of late-century American excursions
into novelistic possibility. Departing from visions of Pynchon as the
arch-postmodernist, erudite and obscure, he discloses an author far more
companionable and humane. In Pynchon's harmonizing of joyousness and
outrage, comedy and sorrow, Coviello finds a model for thinking through
our catastrophic present.