This volume provides an introduction to the diverse field of visual
culture in the 19th century. It surveys major changes in the field
taking into account photography, theatrical practice, changing land- and
cityscapes as well as new technologies for entertainment and
information. The inventions and discoveries of the period revolutionized
methods of cultural production, provoked new intentions in
representation and radically altered the experience of the visual in art
as well as everyday life. Hence people had to adapt to new perceptions
and their habitual ways of seeing were challenged. At the same time they
carved out new positions for themselves vis a vis the visual, defining
new identities as spectators and observers. In addition to the
introductory overview, the volume offers a collection of articles which
concentrate on less well-known aspects of Victorian visual culture,
seeking to contribute an explanation in the context of the larger
political, thus seeking to disclose new vantage points for explanations
in the of the larger political, ideological and psychological context of
the era.