How were the genres of literature changed by new methods of
serialization and publishing? How did a widespread culture of
performance emerge in the period to shape as well as to be shaped by the
novel and poetry? David Amigoni draws on the most recent critical
approaches to the novel, Victorian melodrama and poetry to answer these
and other questions. The work of Charles Dickens, George Eliot, Oscar
Wilde, Alfred Tennyson, Robert Browning, Christina Rossetti, Thomas
Hardy, Thomas Carlyle and Mathew Arnold are explored in relation to
ideas about fiction, journalism, drama, poetry, the New Woman, gothic,
horror and the Victorian sage.Key Features*Detailed readings of key
texts provide models of how to read critically*Demonstrates the
interaction between genres to help think through modes of artistic
experimentation and innovation in the period*Examines Neo-Victorian
fiction, a popular genre today*Student resources include electronic and
reference sources, further reading and an extensive glossary of key
critical terms and historical issues