First full monograph to focus entirely on the English-language songs set
to music by Byrd.
As he grappled with the challenges of composing for various instrumental
and vocal ensembles, William Byrd (c. 1540-1623), England's premier
Renaissance composer, devoted considerable attention to the poetry and
prose of his native language, producing such treasured masterpieces as
the hauntingly beautiful "Lulla lullaby"; the infectiously comedic
"Though Amarillis dance in green"; and two extraordinarily dramatic
Easter anthems. This book, the first full-length study specifically
devoted to Byrd's English-texted music, provides a close reading of all
of the works he published in the late 1580s, constituting nearly half of
his total song output. It delves into the musical, political, literary,
and, specifically, the sequential qualities of Byrd's 1588 and 1589
published collections as a whole, revealing, explaining, and
interpreting an overall grand narrative, while remaining fully attentive
to the particularities of each individual piece. Often deemed
"unliterary" and generally considered political only in his approach to
Latin texts, which were often of special interest to his fellow
Catholics, Byrd was not only an inspiredcomposer who had mastered the
challenges of his nation's burgeoning verse, but also one who used his
voice in song to foster a more inclusive polity in a time of religious
strife.