Five specially commissioned discussions of verbatim theatre - in the
words of the people who make it.
'What a verbatim play does is flash your research nakedly. It's like
cooking a meal but the meat is left raw.' - Max Stafford-Clark
Plays which use people's actual words as the basis for their dramaare
not a new phenomenon. But from the stages of national theatres to fringe
venues and universities everywhere, 'verbatim' theatre, as it has come
to be known, is currently enjoying unprecedented attention and success.
It has also attracted high-profile criticism and impassioned debate. In
these wide-ranging essays and interviews, six leading dramatists
describe their varying approaches to verbatim, examine the strengths and
weaknesses of its techniques and explore the reasons for its current
popularity. They discuss frankly the unique opportunities and ethical
dilemmas that arise when portraying real people on stage, and consider
some of the criticisms levelled at this controversial documentary
form.
'The intention is always to arrive at the truth.' - Nicolas Kent