Today, vaudeville is imagined as a parade of slapstick comedians,
blackface shouters, coyly revealed knees, and second-rate acrobats. But
vaudeville was also America's most popular commercial amusement from the
mid-1890s to the First World War; at its peak, 5 million Americans
attended vaudeville shows every week. Telling the story of this
pioneering art form's rise and decline, David Monod looks through the
apparent carnival of vaudeville performance and asks: what made the
theater so popular and transformative? Although he acknowledges its
quirkiness, Monod makes the case that vaudeville became so popular
because it offered audiences a guide to a modern urban lifestyle.
Vaudeville acts celebrated sharp city styles and denigrated
old-fashioned habits, showcased new music and dance moves, and
promulgated a deeply influential vernacular modernism. The variety
show's off-the-rack trendiness perfectly suited an era when goods and
services were becoming more affordable and the mass market promised to
democratize style, offering a clear vision of how the quintessential
twentieth-century citizen should look, talk, move, feel, and act.