Unmistakably the work of César Aira, Varamo is about the day in the
life of a hapless government employee who, after wandering around all
night after being paid by the Ministry in counterfeit money, eventually
writes the most celebrated masterwork of modern Central American poetry,
The Song of the Virgin Boy. What is odd is that, at fifty years old,
Varamo "hadn't previously written one sole verse, nor had it ever
occurred to him to write one."
Among other things, this novella is an ironic allegory of the poet's
vocation and inspiration, the subtlety of artistic genius, and our need
to give literature an historic, national, psychological, and aesthetic
context. But Aira goes further still -- converting the ironic allegory
into a formidable parody of the expectations that all narrative texts
generate -- by laying out the pathos of a man who between one night and
the following morning is touched by genius. Once again Aira surprises us
with his unclassifiable fiction: original and enjoyable, worthy of many
a thoughtful chuckle, Varamo invites the reader to become an
accomplice in the author's irresistible game.