Social arts are manifold and are initiated by multiple actors, spaces,
and direction from many directions and intentions, but generally they
aim to generate personal, familial, group, community or general social
transformation which can maintain and enhance personal and community
resilience, communication, negotiation, and transitions, as well as help
with community building and rehabilitation, civic engagement, social
inclusion, and cohesion. Occurring via community empowerment,
institutions, arts in health, inter-ethnic conflict, and frames of
lobbying for social change, social art can transform and disrupt power
relations and hegemonic narratives, destigmatize marginalized groups,
and humanize society through creating empathy for the other.
This book provides a broad range of all of the above, with multiple
international examples of projects (photo-voice, community theater,
crafts groups for empowerment, creative place-making, arts in
institutions, and arts-based participatory research) that is initiated
by social practitioners and by artists - and in collaboration between
the two. The aim of this book is to help to illustrate, explore, and
demystify this interdisciplinary area of practice.
With methods and theoretical orientation as the focus of each chapter,
the book can be used both in academic settings and for training social
and art practitioners, as well as for social practitioners and artists
in the field.