This book presents a series of urban investigations undertaken in the
metropolis of Melbourne. It is based on the idea that 'enchantment' as
an affective state is important to ethical and political engagement.
Alexander and Gleeson argue that a sense of enchantment can give people
the impulse to care and engage in an increasingly troubled world,
whereas disenchantment can lead to resignation. Applying and extending
this theory to the urban landscape, the authors walk their home city
with eyes open to the possibility of seeing and experiencing the
industrial city in different ways. This unique methodology, described as
'urban tramping', positions the authors as freethinking freewalkers of
the city, encumbered only with the duty to look through the delusions of
industrial capitalism towards its troubled, contradictory soul. These
urban investigations were disrupted midway by COVID-19, a plague that
ended up confirming the book's central thesis of a fractured modernity
vulnerable to various internal contradictions.