Inseparable from its communities, Northwest Coast art functions
aesthetically and performatively beyond the scope of non-Indigenous
scholarship, from demonstrating kinship connections to manifesting
spiritual power. Contributors to this volume foreground Indigenous
understandings in recognition of this rich context and its historical
erasure within the discipline of art history.
By centering voices that uphold Indigenous priorities, integrating the
expertise of Indigenous knowledge holders about their artistic heritage,
and questioning current institutional practices, these new essays
"unsettle" Northwest Coast art studies. Key themes include discussions
of cultural heritage protections and Native sovereignty; re-centering
women and their critical role in transmitting cultural knowledge;
reflecting on decolonization work in museums; and examining how artworks
function as living documents. The volume exemplifies respectful and
relational engagement with Indigenous art and advocates for more
accountable scholarship and practices.