This book studies the textile medium in European visual arts and
literature of the early modern period as to reconstruct the history of
its meanings. A theory of the textile arts is notably lacking from the
narrative of western art history. This absence is surprising in light of
the great esteem for textiles in medieval and early modern European
material culture. The present volume questions the reductive modern
paradigm of painting and extends the canon of media in contemporary
academic practice. Authors seek to reconstruct a neglected historical
textile discourse from visual and literary sources and to weave a
historical picture of a self-aware, but hitherto particularly taciturn
medium of art. This book exposes meanings of the textile in early modern
visual arts and literature from different disciplinary and
methodological perspectives. As the collection of essays suggests, the
textile - understood as a material, a medium, a technology or a
metaphor - is a hybrid notion reaching far beyond the woven object,
permeating and interlacing a vast swath of the history of culture and
the arts. It participates in an increasing interest in crossing
methodological borders within and beyond our discipline and in
developing towards a general history of cultural artifacts.