Fans used to be seen as an overly obsessed fraction of the audience. In
the last few decades, shifts in media technology and production have
instead made fandom a central mode of consumption. A range of ideas has
emerged to explore different facets of this growing phenomenon. With a
foreword by Matt Hills, Understanding Fandom introduces the whole
field of fan research by looking at the history of debate, key paradigms
and methodological issues. The book discusses insights from scholars
working with fans of different texts, genres and media forms, including
television and popular music. Mark Duffett shows that fan research is an
emergent interdisciplinary field with its own key thinkers: a tradition
that is distinct from both textual analysis and reception studies.
Drawing on a range of debates from media studies, cultural studies and
psychology, Duffett argues that fandom is a particular kind of
engagement with the power relations of media culture.