"Under the Shadow"?takes the form of fifty-nine brief sketches with
simple nouns as titles. These exquisite vignettes take place on a plane
at once surreal, abstract, and ominous, describing a set of people and
incidents derived largely from fragments of conversation and gossip
gathered here and there. They are reminiscent of Raymond Roussel's
characters amid his inimitable ersatz pastorals, with tableaux both
innocent and grotesque. There is something ambiguous about these
passages, something deliberately closed and dreamlike. Many of them read
like primal scenes of private pathologies; others are memories that,
many years later, retain their power to haunt.