Un giorno di regno, which premiered at Milan's Teatro alla Scala in
September 1840, is Verdi's second opera and one of only two comedies
(with Falstaff) ever written by the composer. Rooted in Felice
Romani's libretto Il finto Stanislao, Un giorno di regno experienced
a tumultuous history: the opera's first performance was poorly received,
a result that has been often attributed to a personal tragedy--the
sudden death of his first wife--that befell Verdi during the work's
composition. Research for this edition, however, reveals that Verdi
worked on it with the utmost care. In recent times, new audiences have
embraced revivals of Un giorno di regno, and the opera is now
celebrated as a fine expression of Verdi's robust style, offering
enticing glimpses into the world of comedy at mid-century.
This critical edition, based on Verdi's autograph manuscript, offers the
first publication of the opera in full score. Editor Francesco Izzo
contextualizes Un giorno di regno in his introductory discussion of
the work's origins, sources, and performances. In addition, appendices
provide alternative musical readings and reconstruct lost versions of
segments of the musical numbers, while the critical commentary explores
editorial problems and answers.