Among seventeenth-century classical French writers La Rochefoucauld owes
his renown to his maxims and La Bruyère to his stylised portraits, or
caractères. This book starts from the basic assumption that both writers
were 'moralists', and as such were concerned with a universal picture of
man and society within the limitations of nature and reason. The two
moralists are studied separately. Professor de Mourgues stresses their
individual characteristics, and the complexity of their views. She draws
attention to the problems of literary diction they had to face, and
comments on the artistic achievement to be found in the Maximes and the
Caractères. This study shows that the position of La Rochefoucauld and
la Bruyère as 'moralists' is more ambiguous than the usual neat
definitions of the term would allow. This study raises delicate
questions of interpretation, and adds equally to the fascination of the
two writers' work.