"What should I perform?" This book is to serve as a study guide of
twentyfive works for the dramatic soprano voice with orchestra. Criteria
used for inclusion include range, tessitura, orchestral scoring,
dramatic intensity, and cultural diversity. There are examples of works
dating from 1787 through 2004, and include song cycles, monoperas,
monodramas, scena and arias, symphonic rhapsodies, cantatas, symphonic
cycles, and lyric tragedies. Adhering to the basic requirement of the
piece being suitable for the dramatic soprano voice, the chosen works
are eclectic in language, style, ethnic origin, and musical period. A
cursory definition of the dramatic soprano voice and its rise in
operatic history is included. Information is provided for each listing,
including a brief biographical sketch of the composer and the work's
history and lyrics. This book is addressed to all professionals in the
performing arts as well as specifically to dramatic sopranos,
conductors, composers, and lovers of extraordinary and compelling
vocal/orchestral works. It is also directed toward professors and
educators in music, voice, orchestra, theatre, and their students.