This is the first introductory survey of western twentieth-century music
to address popular music, art music and jazz on equal terms. It treats
those forms as inextricably intertwined, and sets them in a wide variety
of social and critical contexts. The book comprises four sections -
Histories, Techniques and Technologies, Mediation, Identities - with 16
thematic chapters. Each of these explores a musical or cultural topic as
it developed over many years, and as it appeared across a diversity of
musical practices. In this way, the text introduces both key musical
repertoire and critical-musicological approaches to that work. It
historicises music and musical thinking, opening up debate in the
present rather than offering a new but closed narrative of the past. In
each chapter, an overview of the topic's chronology and main issues is
illustrated by two detailed case studies.